Showing posts with label testimonials. Show all posts
Showing posts with label testimonials. Show all posts

Monday, November 10, 2014

Directing Class Testimonials from Freehold Alums


Freehold is excited to be offering our "The Directing Workshop: Process and Practice for Stage and Film" with John Jacobsen and Robin Lynn Smith again this Winter Quarter. This hands-on directing workshop, designed for directors at all levels, is a unique opportunity to work with two master teachers from two different worlds. For more information on this class and how directors and actors can apply, go here. To see the testimonials from past students, see below.



"The Film Director's Lab is nothing short of a graduate program. The lab's structure empowers fellow directors to go deeper into the subtext of written material alongside writing one's own short screenplay and to understand the nuances of working with actors among other things. The most enriching aspect of the lab is the ongoing feedback, mentoring and coaching from the faculty - John Jacobsen and Robin Lynn Smith. Their love for the art and craft of directing is evident from their commitment to the field. To experience them collectively is a gift that will keep on giving. Finally, the best part of the lab for me is the strong community and friendships I have formed with fellow directors and actors. I feel blessed to have been given the opportunity to be in this lab. It delivers so much more than it promises to. I would do it again!"- Monish Gangwani


"This class is undoubtedly invaluable because Robin and John, respected and admired masters in the art of acting and filmmaking in our region are teaching it.  Together they have created a unique opportunity to learn how to direct films in a manner that is practical that considers all the important elements needed to complete a film project successfully.  By working on three projects in class I learned to write a screenplay,  to let go and trust in the abilities of other members of my team,  the rules of translating word to image and shooting effective scenes, the importance of storyboarding and the shot list to arrive well prepared before the day of filming and the important and often overlooked main role of a director. Knowing how to work with actors to help them bring on the best performance on set.  The technical and the artistic parts of cinema, the science and art interlaced intimately as they are especially in the world of film.  In a personally meaningful way and as an alumna of Freehold who started taking acting 101 5 years ago, Freehold made this program accessible to me.  Something that felt impossible to achieve in the 80s as a teenager walking into Columbia College in Chicago and dreaming of becoming a filmmaker.   Robin and John gave me an incredible gift, the opportunity to make that shelved 30 year old dream a reality - to not only study it but be a filmmaker from day 1.   And for that I’m grateful." -Maristela Diaz

"This was probably the best class I've ever taken. John and Robin are both brilliant, challenging voices who bring total commitment and passion to every minute they are in class. I took some big drinks from the humility firehose, but feel vastly more prepared to continue the journey thanks to their lazer critiques and guidance." - Devin Hermanson

"This class brought me to life.  For the first time I wasn’t overcome with worry about how I was doing or whether I was good enough.  I just wanted to learn ... to experience ... to grow.  John and Robin live that approach to their craft and they create a safe place for their students to live it as well.  There was so much to learn, even though the 8 director-students knew a fair amount about film making already.  I felt both excited and nearly overwhelmed.  But Robin and John adjusted the course to fit our needs as we went along, making sure we got what we needed in order to build a foundation of competence and move progressively forward in developing our craft." - Leslie Asplund. To read more about Leslie's experience in the class, go here.

“I got into the filmmaking game almost 15 years ago. In that time I've done just about every job you can imagine and wound up making my living as an editor. Though I'd done some writing and directing here and there, my experience in these disciplines was, well, less than disciplined. When the opportunity came about to apply for the Freehold film directing course with John Jacobsen and Robin Lynn Smith, I jumped at it. The small class size and very direct interaction with John and Robin was a very real plus for me as having direct access to the experience and wisdom of these two was invaluable. The class itself was rigorous and demanded a lot of time and energy on my part. It required me to push myself into uncomfortable territories that ultimately increased my confidence in my ability to work with actors, get to the heart of a story and coax the best performance possible out of the cast. Coupling the director's track with an actors track is a stroke of genius as there was never a shortage of talented, up-and-coming talent that were similarly motivated to enhance their craft. This class has given me the skills and confidence to not only direct narrative films, but it has also made me a better, more disciplined editor and writer.” – Kirk Nordstenstrom

“I’ve studied with some of the most highly respected names in the business, schools and working film and TV professionals on both coasts. John’s and Robin’s Film Directing Course is unique and extraordinary in my experience. Their focus, intensity, and commitment to making you a better artist is unparalleled. Their course is a crucible from which you will emerge a leap ahead in your chosen craft, whether it’s directing, writing, or acting. You may meet your community of creative collaborators, as I did. Given the opportunity as an emerging director to take a course like this, from two instructors of this caliber, there’s only one answer...yes!” –Jeff Barber

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Freehold will be offering our Directing class again this coming Winter Quarter entitled "The Directing Workshop: Process and Practice for Stage and Film" with John Jacobsen and Robin Lynn Smith. Applications are now available. Deadline for directors to apply is December 8th and deadline for actors to apply is November 24th.
More information on the class and how to apply:
http://www.freeholdtheatre.org/applications-available-directing-workshop-process-and-practice-stage-and-film

Monday, August 11, 2014

Freehold Theatre Acting Class Testimonials

Freehold Theatre Lab/Studio is a Center for the Practice of Theatre. Since 1991, Freehold Theatre has been offering exceptional acting classes in Seattle taught by outstanding faculty.  We offer beginning acting classes as well as advanced actor training as well as Improv, Playwriting, Directing, Public Speaking, Voice and Voice Over classes and much more.

Here are some testimonials from students who have taken classes at Freehold Theatre Lab/Studio:

"I’m so grateful to have found my way to Freehold. It’s been my home for acting training for over six years now. They have an affordable, well-rounded course selection, a progression for advanced learning, committed and highly credible instructors and a wonderful sense of community." -Ryan Sanders

"I've been taking classes at Freehold for almost two years now and it has been a great experience. All of my teachers have been superb, very talented and dedicated, and the range of classes is amazing as well, There are classes for the curious with no acting experience (me a the beginning) to classes for someone who is serious about acting and wants a more in depth study (me now!). I found my experience at Freehold to be truly life changing, no exaggeration at all." -Alissa Cattabriga

“Admittedly, I have a crush on Freehold... But it's been a year and 3 months now, so it may be turning into something more serious! :-) I went from never having studied, or done performance, to taking 4 classes (Steps I, II and III, Exploring Solo Performance) and presenting a solo piece in the 2014 Incubator Studio Series. Mind-boggling transformation possibilities. Serious, fun, professional, enthusiastic, respectful, responsive, passionate, and compassionate community of instructors, staff, and participating students. We are beyond lucky to have Freehold in Seattle!” -Laura Nelson

"All the instructors at Freehold Theater have a great philosophy on acting, and a consummate passion for teaching. They seemed to know how, in a positive manner, to get the best performance out of you. Of course it's different for everyone, and it’s not rocket science, but you will be challenged. Whether you’re pursuing theater or film, if you're ready to get to the next level-- the sky's the limit on what you can achieve. Freehold Theater gives a safe and comfortable place to grow – you’re given the tools to do your job as an actor, while challenging yourself creatively. Highly recommend." -Melissa P.

"Freehold, its instructors, and the classes offered are extraordinary. I have learned so much, and have had so much fun. As a then 56 year old lawyer in "real life," starting out in Step One three years ago, I had no idea what to expect. The teachers, the content, the students, and the challenges have been so very much worth the time, effort, and expense invested. Enough cannot be said about the truly exceptional and dedicated faculty. I've loved my experiences at Freehold and have had SO MUCH FUN. In short: my time at Freehold has been the best thing, besides skydiving (which I did because we were assigned in one class to live out a fantasy), I've done in ten years. Thank you Stefan, Annette, Darragh, and most especially, Robin."  -Jacquelyn Beatty

"Freehold is the best place for acting training in Seattle! In my humble opinion. The faculty is incredible. They are also working professionals and many teach at Cornish. Best of all, they are so invested in their students and Freehold's mission. There is a great variety of classes offered and tuition is affordable. My own experience with Freehold has been very significant. I took the acclaimed, life-changing Meisner progression. Not only did my classmates and I walk away as better, stronger actors, but also as enriched artists. (Any Meisner alum will most likely agree with that about themselves...). I've also taken Voice, Movement, Solo Performance, and Shakespeare. All were beneficial to me as an actor, and just totally fantastic. There is a strong sense of community at Freehold and that has been priceless." -Julie Hoang

"Freehold is a truly unique and special Theater Lab & Studio. They offer a truly sacred space where you can be totally free and uninhibited. All of the instructors work in the industry and offer exceptional training and insight into the world of acting. I have taken introductory acting courses Steps 1-3 as well as rehearsal and performance and most recently the 9 month Meisner intensive course. Here I have truly discovered myself and my passion for the art of acting as grown exponentially. The training not only goes above and beyond what you would expect but each instructor has such a passion for the art that just being in their presence infuses you with an even greater urge to pursue and truly grasp the art. Beyond the exceptional training, safe environment, and great class mates each instructor not only provides you with a knowledge of the art but also empowers you to believe in yourself and go out in the world and pursue your dream. What I am most grateful for from my experience at Freehold has been this empowerment. A truly great teacher is one who makes you believe in yourself and empowers you with the confidence that you can go out in the world and be successful. They not only provide you with great training but fill you with such inspiration, passion, and drive that it is impossible to leave unmotivated or uninspired. Each of the instructors are truly great in this way and I would recommend Freehold to anyone interested in pursuing the art of acting and discovering what it is to truly experience and discover the art of the human soul and bring it to life on stage." -Tyler Stout

"I took my first class at Freehold after I suddenly decided to audition for a play and failed at it miserably. The experience made me want to try again, but to prepare myself better. I've taken Steps I-III, Voice, Singing for Actors and Movement at Freehold. Singing for Actors with Lucia Neare and Movement with Paul Budraitis, in particular, made me realize that there are different ways of finding the character's voice, and maybe I can do this. They gave me the courage to continue to try. I've found all the instructors to be knowledgeable, giving, and supportive. I've begun to be able to quiet all the reasons of why I can't do this, and learn to let myself do things and fail at them and keep doing them and become better because of it, and I've found the support to let that happen at Freehold, both from the instructors and the fellow students. I love Freehold, studying here has changed my life for the better. Highly recommend. It's an excellent and affordable training program for acting. I've drunk the kool-aid, too." -Elizabeth Herlevi

"I have fallen in love with Freehold, it's spirit and mission. Currently (Spring, 2013) I am taking the Point of View Playwriting class from Rebecca. What an experience! Regardless of the types of writing a person does (I haven't considered myself to be a playwright) the skills and information presented, the assignments, the class discussions, everything so far has been useful in my typical writing as well as introducing me to theatrical literature. Mindful of the importance of feedback but aware, too, of the pitfalls of traditional "critiques", Rebecca has provided us with a model for discussion of classmates work that is helpful and positive. You should know, the expectations for this class are high, from one's own writing, to reading classmates' and preparing for discussion, to reading well-known playwrights. But hey, you want your money's worth, don't you? A really wonderful class." -Janelle Kingsley

"I've been taking classes at Freehold since 1998 and without a doubt Freehold is the best place in Seattle for actor training (besides the academic programs at UW and Cornish). They also offer play writing and directing classes. The instructors are working professionals - many of whom also teach at Cornish and/or UW. Highly recommended."
- Andrew Tribolini

"I started classes at the Freehold a little over three years ago. I've taken steps 1-3, acting for the camera, singing for actors, rehearsal and performance, auditioning and the 9 month Meisner intensive. Not only have I had the best acting experiences there (I've been to other theaters as well as the theater program at SOU), I've meet incredible actors in the area, and have had teachers who have pushed me above and beyond where I thought I could be. Each teacher works in the industry and their passion is astonishing. I've been recommending Freehold to every actor I've met who hasn't heard about the theatre, so I might as well recommend it online as well!" -Kay Whitney

"I've taken Acting Step I to III at Freehold Theatre. It has been an amazing experience. In those three courses they took me from zero to acting and rehearsing with text. I joined because I wanted to improve my English and I ended up falling in love with acting and performing. I look forward to explore the other many classes they offer. Especially Rehearsal and Performance and eventually Meisner: Foundation.
I fully recommend Freehold Theatre for acting training." -Bernardo Rivas

"I've taken many classes at Freehold, from beginning acting all the way through Meisner. All classes have been excellent with inspiring and thoughtful instructors. Freehold is an excellent place for someone who is exploring acting as sideline or as a start to a full time career." - Mark Chandler

"Freehold Theatre will take you on a fantastic journey of your life. Take a class, commit to the journey, challenge yourself, you will not be disappointed." -Bonnie Quino

"I've taken a LOT of classes at Freehold over the past nine years, and I have learned a lot, from acting to voice to playwriting. They have excellent classes taught by working professionals." -Louise Penberthy

"You will find no better place to unleash your inner storyteller.  Whether it be acting, directing, playwriting or anything in between - if you value the exploration of the human condition, you'll want to join this community and call it home.  The instructors here are seasoned professionals from high and lofty places, but they are also the most approachable, caring, and nurturing teachers you will ever encounter.  They are so attuned to you and your craft that, in one quarter, you will make leaps and bounds far beyond what you thought possible.  I could not have navigated the crazy maze of theatre and film craft without Rebecca, Sarah, John, Annette and Christine.  You all/were such outstanding roll models and leaders within this community.  Thank you!!" - Elizabeth Wu

"I am a huge fan of Freehold!  Having taken many classes there the past several years, I have found the faculty and teaching artists to be knowledgeable, supportive and passionate about providing each student with what he/she needs to grow in their craft.  In addition, it has been a joy to meet and become friends with so many talented actors, directors and writers in town.  Freehold is a safe environment to experiment and take risks, regardless of your experience level.  The Meisner Progression taught by Robin Lynn Smith was life-changing and gave me the tools to raise my acting game to a whole new level.  With an impressive roster of classes, Freehold has something for everybody.  I highly recommend taking a class. You will have fun, gain confidence, make new friends and get better at your craft!" - Henry Mark

"I've just finished the first year of introductory classes at Freehold and it has been an amazing experience.  I previously did not have any acting experience, but really the only thing needed was an openness to new experiences and the will power to work hard.  In return, you get to explore new (or hidden!) sides of  yourself, learn what it means to really live truthfully under imaginary circumstances and become part of the amazing Freehold community.  All the instructors I've had are true professionals who are able to rapidly target areas of your scene which need work and who hep you develop a full toolbox of techniques that you can take with you anywhere in life.  I am really excited to continue with the Meisner progression next year!" - Sam McKennoch

"I am deeply grateful for Freehold. Seattle is graced by this sacred place that fosters growth, discovery, and artist-realization.  I recently completed the Meisner Progression course taught by Artistic Director and master teacher, Robin Lynn Smith. I found the education to be integrative, progressive, and holistic, teaching us how to access and awaken our truth through effective techniques and philosophies from all over the world.  I gained awareness in body, mind, and spirit that has truly deepened my work and enriched my life. I have also taken John Jacobsen's Acting for the Camera.  John has a wealth of knowledge and experience, and is very generous in sharing it.  I took forward invaluable information from his class. The studio is a haven for exploring yourself, your humanity, and your craft, with the guidance of  passionate, inspiring teachers and the support of a wonderful community of fellow artists. I've also told people it isn't just a place for artists, but really any human being who wants to grow." -Alexandra Gobeille

"Freehold is an awesome unique haven of in-depth, honest, knees on the ground learning. Taught by passionate skilled professionals with an atmosphere of authentic communal and self-exploration and focused honing of craft. Beginning and advanced students of the beautiful art of theater mix and are equally treated to a high standard of excellence and challenge. As a very part-time actor who has a great love for all that acting vies and can take us to, I am so grateful to be able to explore and partake and learn. Every time I take a class, I see and experience the world on richer soil, and find myself much more exactly expressive and receptive in my daily life and on stage." -Elizabeth D.

"I can't recommend Freehold enough! This is such an amazing space for artists of all types.  If you have never acted, come here, if you have acted all of your life, come here as well. There is something for everyone. If you are a working artist, this is the place to keep up on your training. Some of the most amazing instructors teach here. From Robin Lynn Smith to John Jacobsen, from Meisner training to Acting for the Camera! They have it all. Movement, voice, combat, Shakespeare ... All of the instructors are also working actors/directors. It's not just a school, it's a refuge as well. My home away from home.  My inspirational space. My craft has gotten so much more developed here. You won't regret spending your time at Freehold!" - Kristina Petroysan

"I just finished Rebecca Tourino's Playwriting Class.  I was blown away.  This remarkable woman led us through the most vigorous, thoughtful, safe and yet demanding class I could have imagined.  And fun.  If it's scary and fun, something's going on.  Rebecca set the stage for open and daring work and gave me the most solid and useful tools for critiquing that I have ever had laid out before.  And then she started the challenges - setting, characters, scenes. She started a freight train in my mind that kept rolling for 8 weeks. I could scarcely think about anything else. My play was born out of three exercises and suddenly it was dropping in chunks to me from the heavens. Each exercise she gave seemed at first glance not to fit with my plans. Of course that was the point. My play buckled and twisted and balked but I followed the assignment and something so much more interesting, so much deeper was born. It was truly a magnificent process and I will forever thank Rebecca for giving me the gift of this creative experience." - Susan McNally

"Anyone I've ever spoken to that has come out of Freehold has described it as life-changing  - and that's exactly what it did for me. I'm a better actor and person because of the Meisner courses with Robin Lynn Smith - best money I ever spent (the rest of the staff is absolutely amazing as well). Also, I honestly believe it's gotten me acting jobs. I'd spend the rest of my life taking classes at Freehold, if I could! [Do I sound like I'm drinking the Kool-Aid? I don't care - it is THAT phenomenal]." -Anna Giles

"I can't provide sufficient accolades for Freehold. I have taken a wide gamut of classes ranging from introductory, to the Meisner Progression and ETI (professional conservatory training). Other classes include playwriting, voice over, improv, mask, new play lab, and many others both for fun and advancing my knowledge and skills. My experiences have been great to outstanding, and I am proud and incredibly honored to be affiliated with Freehold as a board member. Freehold is a community for everyone, at all levels -- not just students and actors. Additionally, Freehold is active in community outreach bringing theatrical productions and training/mentorship to underserved communities like prisons, the homeless, and at-risk students to name a few." - Scott Maddock

"In addition to having extremely qualified industry professional teaching courses, the Freehold atmosphere is low-stress and so supportive. You learn that it is great to experiment and try new things and think new thoughts and that it is OK to fail. I would recommend a class to anyone interested in self-expression through theater or film." - Krista Erickson

"Freehold changed my life. The classes are taught with a kind of gentle ferocity that helped me push through my perceived limitations. Not only did I gain new and important skills, both professionally and personally, but also a new community and sense of purpose. I cannot recommend Freehold highly enough." -Kymberlee della Luce

"Freehold is a container for creative transformation. It is a place where artists can discover their authentic expression. Freehold's leadership in empowering artists to find their voice is evidence from the work they do in community - making the world a better place - one artist at a time. Strongly recommend Freehold." - Monish Gangwani

To check out Freehold's Fall Quarter 2014 classes, go to:
http://www.freeholdtheatre.org/fall-quarter-acting-classes-seattle-are-now-open-registration


Monday, July 21, 2014

Meisner Progression Interviews with Robin Lynn Smith - August 11, 2014

Meisner Progression Interviews with Robin Lynn Smith
Monday, August 11 5:30pm - 8:30pm
(Testimonials from past Meisner students can be found at the bottom of this post)

Interviews are available with Robin Lynn Smith for Freehold's 2014-2015 Meisner Progression, a 3-quarter, 9-month training program based on the work of Constantin Stanislavski, Joseph Chaikin, and Sanford Meisner. Classes are 5-hour sessions meeting two evenings per week over each 12-week quarter. Check out the great testimonials from previous Freehold Meisner alums at the bottom of this blog post. The Meisner Progression is taught by Freehold's Artistic Director and Freehold co-founder Robin Lynn Smith.

To schedule an interview or for more information, contact Freehold at (206) 323-7499 or email us at our contact page. Please bring a resume detailing your theatrical and performance experience and be prepared to speak about why you are interested in participating in the Meisner progression. Prerequisites: Freehold's Step III: Scene Study or equivalent training and performance experience. Interviews will be roughly 15 minutes each. Tuition per quarter: $960.  You can apply for our discounted rate of $795.

The Meisner class description for the 3-quarter progression is as follows:

Meisner: Foundation: Step I - Fall Quarter (Mid-September through mid-December)
Tuesdays and Sundays, 5:30 - 10:30 pm

Through cumulative exercises based on the work of Sanford Meisner, the actor learns to be habitually available to and affected by life that is actually happening in the moment, and to fully release instinctive,  uninhibited responses. The class culminates in a work with text.

Meisner: Instrument: Step II - Winter Quarter (Dates to be confirmed)
Tuesdays and Sundays, 5:30 - 10:30 pm

Students continue the exercises from Foundation, supplementing them with work in personalization, preparation, and other tools in order to access a meaningful inner life and "make real" the text and imaginary circumstances.

Meisner: Text: Step III - Spring Quarter (Dates to be confirmed)
Tuesdays and Sundays, 5:30 - 10:30 pm

Applying the work from Foundation and Instrument to scenes, students focus on detailed, in-depth text and character work -- analysis, subtext, particularization, and moment-to-moment process work on scenes.

Robin Lynn Smith is a Founding Partner and Artistic Director for Freehold Studio/Theatre Lab in Seattle. She has worked for the past thirty-five years acting, directing and teaching in Chicago, Boston, Seattle, and New York where she directed Curse of the Starving Class Off-Broadway at the Promenade Theatre.  She has directed in Regional Theatres and is presently directing Freehold’s  Engaged Theatre Program which tours Shakespeare productions to prisons, projects, and tent cities, for which she has directed Othello, Julius Caesar, King Lear, Cymbeline, A Winter's TaleThe Tempest, and The Merchant of Venice.  At Freehold she directed the award-winning production of Chekhov’s The SeagullThree SistersAn Altered Life, and Veronika Falling.   She was an Artist in Residence at the Seattle Repertory Theatre with Dan Sullivan, and directed several productions including Marvin's RoomFrankie and Jonnie in the Claire de LuneCity of Gold, and the developmental workshop of Elizabeth Heffon’s New Patagonia.  She has also directed in Seattle at ACT, On The Boards, The Empty Space, New City Theatre, Seattle Children’s Theatre, and Intiman where she was an Affiliate Artist with Bartlett Sher.  She has an MFA from NYU TSOA, and she is currently on the faculty of Cornish College of the Arts. She is featured in ACTING TEACHERS OF AMERICA, and she is a member of SDC and a finalist for SDCF’s inaugural Zelda Fichandler Award. She is the 2008 recipient of the The Gregory A. Falls Sustained Achievement Award.

Testimonials from Freehold Meisner Alums

"Meisner for me was really transformational and not just for the acting but really just for the rest of my everyday life. Meisner really strives you to live in the moment and to react to things as if it is the first time, being genuine and authentic. I do some commercial work on the side and I’ve been told that there is a new quality to my acting and that is 100% related to the work from the class. There is another piece that I got out of Meisner which was unexpected which is that it actually changed the quality of my day to day life … it allowed me to be more present in my life … it makes life much more interesting." - E.J. Gong

"It was through working with Robin that I acquired one of the most important things any actor can get - an actual process on how to bring a role alive. While I've taken other classes from some extremely talented instructors that included some discussion of methods for examining text, the bulk of what I typically got was notes by the instructor as though they were directing me in a play. That is very valuable stuff, but it doesn't really give you much of a process for starting work on a role on your own, nor do you get much of a glimpse of the variety of techniques that have come to light in the theatrical world. Robin gave us tools we could use to bring the character to life in ways that went beyond what was on the printed page, and thereby make those scripted words come even more alive. And I think a huge part of that came from her making us push the limits of our imaginations for nine months. To sum up, if you're not sure whether taking the Meisner progression at Freehold is worth your time, let me help you decide: YES! Absolutely! Be grateful that the gods have aligned the planets so that you have this opportunity and grab it!" - Bob Rousseau

"What I have seen, and experienced in this class is not just ‘acting.’ It is living. It is so helpful to watch visceral reactions in my classmates as a mark of real behavior for our acting. I’ve experienced impulses and emotions that are no different from the ones I have in real life. If my partner was provoking me, insulting me, attacking me, my spontaneous responses of frustration, pain, fear … were real!" - Alexandra Gobeille

"I took the acclaimed, life-changing Meisner progression. Not only did my classmates and I walk away as better, stronger actors, but also as enriched artists. (Any Meisner alum will most likely agree with that about themselves...)." - Julie Hoang 

"The Meisner Progression taught by Robin Lynn Smith was life-changing and gave me the tools to raise my acting game to a whole new level."  – Henry Mark

"I'm a better actor and person because of the Meisner courses with Robin Lynn Smith - best money I ever spent.  Also, I honestly believe it's gotten me acting jobs." - Anna Giles

Freehold Theatre Lab/Studio
2222 2nd Avenue, Suite 200
Seattle, WA 98121
http://www.freeholdtheatre.org
(206) 323-7499